Yet Hazelwood’s intent suffers from her need to generate “meet-cute” moments between her characters. The novel portrays casual workplace sexism and gender stereotyping, ranging from scenes of Bee’s male colleagues taking her less seriously to moments where they ignore her ideas altogether. Hazelwood’s elevator pitch for “Love on the Brain” leads with its representation of women in science, technology, engineering and math, or STEM. Levi’s characterization would benefit from a starting point just a few feet above rock bottom and a more gradual transformation throughout the novel. Hazelwood defies the laws of physics as she turns someone who clenches his fists when Bee’s name is called into an expert at communication and love confessions overnight in the latter portion of the book. The change in Levi’s personality is at once abrupt and puzzling. But one conversation clears the air, and Levi turns into someone else entirely. With the first half of the book based entirely on misunderstandings and a lack of communication (some of romance readers’ worst nightmares) between Bee and Levi, it is difficult to imagine how Levi could possibly be an attractive love interest.
Bee and Levi are caricatures of Olive and Adam, the love interests from “The Love Hypothesis,” with the same but more extreme characteristics he’s colder, she’s quirkier. She leans too far into these tropes, making the book almost reliant on clichés for plot development. Clearly, Levi hates her, right?Īt first glance, “Love on the Brain” seems to stand on its own two legs, but upon closer inspection, the story is simply a variation on Hazelwood’s debut novel, “The Love Hypothesis.” She recycles the same tropes as in her previous work, including “ grumpy and sunshine ,” forced proximity, miscommunication and enemies-to-lovers, to name a few.
Faced with a gig she can’t refuse, Bee has no choice but to work with a person who finds her intolerable, who ignores her emails, who eats her vegan donuts and who looks away when she’s in the room.
Bee’s counterpart is none other than her nemesis from grad school, Levi Ward. But it takes two to tango in a romance novel. The story follows Bee Königswasser, a pink-haired, cat-lady-with-no-cat neuroscientist, who receives the offer of a lifetime: leading a NASA neuroengineering project. “Love on the Brain,” Hazelwood’s sophomore novel, is both an homage to Curie and an “opposites attract” workplace romance. What would Marie Curie do if she found out she was the posthumous lead inspiration for Ali Hazelwood’s newest book? (Seriously, Curie is mentioned more than 100 times throughout the story.)
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